"... likewise 86 year old Czech-French novelist Milan Kundera’s new work of fiction, The Festival of Insignificance, which was published last week by New York based publisher Harper in Linda Asher’s fine English translation from the Kundera’s French, is a 128 pp. novella that revisits its author’s recurring themes but in a shorter format." -- from my examiner article. Also see my New York Journal of Books review.
"... likewise 86 year old Czech-French novelist Milan Kundera’s new work of fiction, The Festival of Insignificance, which was published last week by New York based publisher Harper in Linda Asher’s fine English translation from the Kundera’s French, is a 128 pp. novella that revisits its author’s recurring themes but in a shorter format." -- from my examiner article. Also see my New York Journal of Books review.

The Vida count: Gender bias in book reviewing - New York NY | Examiner.com
For the past three years, VIDA: Women in Literary Arts has been conducting a count of how many of the books reviewed by prominent publications were written by women and by men, and how many of the book reviews were assigned to female and male reviewers. The lopsided results have helped begin a conversation about gender bias in the literary world.
This past Wednesday, May 29, 2013, that conversation took the form of a panel discussion at the Center for Fiction in midtown Manhattan hosted by the National Book Critics Circlewhose annual meeting was held in the same building earlier that afternoon (and of which this examiner is a voting member). The panelists provided anecdotal accounts that support the findings of the Vida count: women authors are under-reviewed at major publications where women book critics are still a minority of book reviewers.
One of the panelists, New York Magazine's recently hired book critic Kathryn Schulz, did a count of her male predecessor Sam Anderson's book reviews and found that his reviews of books by male authors outnumbered his reviews by female authors 8 to 1. She then did a count of her own reviews and found that her ratio was 4 to 3, still favoring authors who are men.
Of the fifty or so book reviews this examiner has published (mainly on New York Journal of Books) books by men outnumber those by women 3 to 2. In my own defense I will point out that the few books I have panned and criticized most harshly have all been by men. Going forward I will make more of an effort to find women authors whose work I enjoy.
Overall there are a roughly equal number of books published by men and women authors, but the numbers vary by genre: male authors predominate in non-fiction, women authors predominate in children's literature and are also a majority of authors of poetry books, and the genders are about equal in adult fiction.
Another panelist, New York Times Book Review editor Pamela Paul, pointed out that when that publication wants to draw attention to a particular book and indicate its significance the review is always assigned to a reviewer whose gender is the opposite of the author.
The sole male panelist, Tin House editor and co-founder Rob Spillman, quoted statistics that show he takes the Vida count seriously and in the past three years has achieved gender parity among the authors reviewed by his magazine as well as among its reviewers. Unfortunately Tin House appears to be in the minority among periodicals that review books.
Mr. Spillman also noted that male writers handle rejection better than female writers. He said that even if encouraging words requesting a writer's next piece of writing are added to a rejection letter women writers will not submit to that publication again, whereas men will send in more work no matter how emphatic and negative the tone of the rejection letter.
Women authors and reviewers continue to face gender bias.
The Pulitzer, the National Book Award, and the National Book Critics Circle Award are considered the triple crown of American book publishing. Although I am a voting member of the National Book Critics Circle I have not read any of these books (see my previous article 2012 Books Retrospective for the 2012 books I have read and reviewed). My own book reviewing schedule leaves me little time to read books that have already been published with my eyes, but I do have time to listen to audiobooks and will keep the above list for future reference.
In my New York Journal of Books review I describe the book as “. . . a plot-driven novel conveyed in crisp, descriptive, and thought-provoking prose via an engagingly intelligent third-person narrator. . . . an auspicious debut” and recommend it to both adult and precocious young adult readers. via the late examiner.com
Former NPR correspondant Anna Solomon's debut novel, The Little Bride, is published today by Riverhead Books, a division of New York publisher Penguin USA. In my New York Journal of Books review I describe the book as “. . . a plot-driven novel conveyed in crisp, descriptive, and thought-provoking prose via an engagingly intelligent third-person narrator. . . . an auspicious debut” and recommend it to both adult and precocious young adult readers.
The title character is a late Nineteenth Century Russian-Jewish teenager who immigrates to this country as a mail-order bride and joins her new husband as a pioneer homesteader on the Great Plains. Ms. Solomon based the story on the memoirs of at least two Nineteenth Century Jewish women pioneers in the American west, but the plot and characters are the product of her imagination.
For a more contemporary story of a Russian-Jewish mail-order bride try Anya Ulinich's 2007 novel Petropolis.
For more info: David Cooper
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