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Brandon Taylor: On D.H. Lawrence & moral fiction

“It all sounds very abstract, I know. But for me, it comes down to this: moral fiction is not fiction that affirms your ideology about power systems and oppression. It does not make you feel like a good and righteous person. It may have no lessons for you to tweet about or put on Instagram or explain readily, wittily at dinner parties. You can’t wear it like a hair shirt and you can’t always articulate its particular force or power upon you. Moral art is, I think, hard to describe. Instable. It is art that implicates and complicates your notions of good and bad. Moral art may call you a liar to your face. It reveals the shallowness of your thought. It challenges you, but not in the way of an all-fiber diet. In the way gravity challenges you. In the way the thin air at the top of a mountain challenges you. In the way the pressure of the deep seas challenges you. Moral does not mean good or lawful. Moral means true. Moral means you take your finger off the scale.

“To make moral art, moral fiction, is to get out of the way. To make moral art is to admit one’s humble place in the order of things. I think moral fiction is less about signaling to the reader that you voted for the right people or that you are able to listen to people who would have you destroyed. Moral fiction does not signal. That is propaganda. That is social work. Not that these are unimportant things, but they are not art. And they are not moral.”

#moral fiction #brandon taylor #d.h. lawrence #moral art

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I'm taking a break from reading and reviewing new books to catch up with some old ones on my TBR list. I'm also trying to improve my Hebrew and am currently reading and enjoying the Hebrew edition of Ya'akov Shabtai's unfinished last novel סוף דבר (published in English as Past Perfect).



In circumstances when I cannot read with my eyes I read with my ears. I just finished listening to the audiobook of The Rabbi of Lud by Stanley Elkin, a writer of whom I became aware while reading his friend William H. Gass while preparing to review The William H. Gass Reader. My brief review of The Rabbi of Lud appears on Goodreads.







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I disagree with the article's contention that extensive revision is a modern innovation. William Wordsworth published his first version of The Prelude in 1805 and spent the next 45 years revising it.
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"To become memorable or brilliant, language needs to be fertilized by egotism." 

Adam Kirsch's long but worth reading collection of meditations/prose epigrams on the position of writers WRT past writers, future readers, and the present tense; on the respective roles of literature and science; and the role of culture in a technologically evolving civilization (among other insights). 

via poetryfoundation.org

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Read the poem on kaffeinkatmandu.tumblr.com

Fraction Factions, a poem I wrote two years ago that was just published on kaffe in katmandu, an arts/literature blog. Were I writing this poem now I would substitute the word "climaxing" for "ejaculating" since men without prostate glands do not ejaculate. When I fully recover from my prostate surgery I hope to still be a 40%er.

 

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The following article is excerpted from the latest issue of n+1 magazine. This article is available online only in Slate.

‎"No one with 'literary' aspirations will expect to earn a living by publishing books; the glory days when publishers still waffled between patronage and commerce will be much lamented. The lit-lovers who used to become editors and agents will direct MFA programs instead; the book industry will become as rational—that is, as single-mindedly devoted to profit—as every other capitalist industry."

Will? Is it not to a considerable extent already so?

The author marks the boundaries of literary Brooklyn as DUMBO and Prospect Heights, but it is more accurate to draw its boundaries as a triangle that goes from Greenpoint in the northwest to Victorian Flatbush in the east to Red Hook in the southwest.

As a native New Yorker, Brooklynite, alumnus of a CCNY graduate creative writing program, poet/translator and fiction reviewer I am on the periphery of both literary cultures, and much of the article resonates with the ring of truth. However, in an era of government budget cuts I don't see MFA programs continuing to proliferate; indeed, they may prove vulnerable to the budget ax.

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David Cooper's review of Yael Hedaya's novel Eden compares Jessica Cohen's translation with Ms. Hedaya's original Hebrew. The novel features two marriages and a teenage girl all of whom are at-risk and in varied states of distress. 

 

Read the entire review on nyjournalofbooks.com

 

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An excerpt from Eden appears in Words Without Borders

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"...One of the consolations of writing books is the seemingly unquenchable conviction that the next book will be better, will be bigger and bolder and more comprehensive and truer to the lives we live. We exist in a condition of hope, we love the beauty and truth that come to us, and we do our best to tamp down our doubts and disappointments.

We are on a quest, and are not discouraged by our collective suspicion that the perfection we look for in art is about as likely to turn up as is the Holy Grail. That is one of the reasons we, I mean we humans, are not only the creators, translators and consumers of literature, but also its subjects."

Read the entire article on nytimes.com

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Poet and Holocaust survivor Walter Hess will read from his book Jews Harp (Pleasure Boat Studio 2009) with three other small press poets tonight...

Read the article on examiner.com

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Poet and Holocaust survivor Walter Hess will read from his book Jews Harp (Pleasure Boat Studio 2009) with three other small press poets tonight...

Read the article on examiner.com

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My poetry:

I write like
James Joyce

I Write Like by Mémoires, Mac journal software. Analyze your writing!

My prose:

I write like
H. P. Lovecraft

I Write Like by Mémoires, Mac journal software. Analyze your writing!

 

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My poetry:

I write like
James Joyce

I Write Like by Mémoires, Mac journal software. Analyze your writing!

My prose:

I write like
H. P. Lovecraft

I Write Like by Mémoires, Mac journal software. Analyze your writing!

 

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I am reading and enjoying a prepublication copy of Best Sex Writing 2009 which I have agreed to review on Amazon. These are notes on the first ten chapters for that eventual review. BSW 2009 is an anthology of articles about sex; while a few articles refer to sexual encounters they are not erotic. These articles will not arouse you but they will engage your intellect and present a panoramic portrait of sex in America in the middle years of the first decade of the 21st century.

Read more... )

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I am reading and enjoying a prepublication copy of Best Sex Writing 2009 which I have agreed to review on Amazon. These are notes on the first ten chapters for that eventual review. BSW 2009 is an anthology of articles about sex; while a few articles refer to sexual encounters they are not erotic. These articles will not arouse you but they will engage your intellect and present a panoramic portrait of sex in America in the middle years of the first decade of the 21st century.

Read more... )

Reblog this post [with Zemanta]
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How to Publish Without Perishing

Keeping out of print books available in digital form to some extent balances diminished or lost royalties, but the latter also means that most writers will continue to rely on either benefactors (such as loving, tolerant, and financially secure spouses) or day jobs.
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How to Publish Without Perishing

Keeping out of print books available in digital form to some extent balances diminished or lost royalties, but the latter also means that most writers will continue to rely on either benefactors (such as loving, tolerant, and financially secure spouses) or day jobs.
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An interview with writer Susan Henderson

What she says about carving out a space for her writing while living her daily practical life is a useful reminder.
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An interview with writer Susan Henderson

What she says about carving out a space for her writing while living her daily practical life is a useful reminder.

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