
My review of A.B. Yehoshua's new novel The Retrospective. Also see my examiner.com article:
A.B. Yehoshua's new novel The Retrospectiveis a book I enjoyed reading while I was reading it but one that left me somewhat disappointed afterward. In my New York Journal of books review I explore the novel's multiple allegories and describe it as "a quick and easy read" despite its layers of meaning. My use of the phrase "quick and easy" may have something to do with the fact that I read The Retrospectiveshortly after reading William Gass' comparatively difficult novel Middle C. I actually prefer dense prose and more challenging use of language, but Mr. Yehoshua's naturalistic dialogue as well as his use of symbolism and allegory kept me engaged.
The Retrospective is an autobiographical novel in which cinema stands in for fiction and a film director represents the novelist. Indeed the director attends a retrospective of his early films and receives a prize in Santiago de Compostela, the same Spanish city where his author was awarded a literature prize. The novel's Hebrew title can be translated as Spanish Charity and its central image is Roman Charity, a story of a daughter who breast feeds her starving father depicted in numerous Renaissance paintings. Pardon the pun, but Mr. Yehoshua milks the image for all the symbolic and allegorical meaning it can yield. See my New York Journal of Books review for a fuller discussion of those allegories.
